Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. show how the trumpet sonatas by George Antheil, Kent Kennan, Halsey Stevens, and. Burnet Tuthill are both distinctly American and unmistakably from the. Kent Wheeler Kennan was an American composer, author, educator, and professor. Giuseppe Galante – Kent Kennan: Sonata for Trumpet and Piano: I. With.
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His eonata Counterpoint and The Technique of Orchestration have been trumppet used as classroom texts.
The Recapitulation All of the themes from the exposition are written in the recapitulation Dearden This article on a United States composer born in the 20th century is a stub. The first theme is very rhythmic and separated Dearden This piece is difficult in many ways. You can help Wikipedia by expanding it.
This motive will be repeated in many different ways throughout the course of the entire piece Dearden The piece ends with a trumpet fanfare in E-flat Dearden Even though the melody sounds like D minor, there is no F of any kind to confirm whether it is major or minor.
Sonata for Trumpet and Piano by Kent Kennan | My Blog
Kennan meant for the trumpet and the piano to be fairly equal in this piece, so trumpet players need to be aware of this and play accordingly McNamara The second movement ends with a coda in C major, which has not been played in until this point in the piece Dearden The piano plays an ostinato under the light, lively trumpet melody Dearden The Coda The transition mennan the cods is mostly based on the transition theme from earlier in the movement Dearden In the following measure, the three pitches begin with a leap down by a perfect fifth, then a whole step Dearden Email required Address never made public.
His compositions include works for orchestrachamber ensemble and solo instrument as well as songs and choral music.
You are commenting using your Facebook account. The second theme has the same character as the first theme, but it is melodically based on the intervals of triads instead of the main motive that is introduced in the first movement Dearden University of Maryland, His Sonata for Trumpet and Piano is part of the standard repertoire for many collegiate trumpet studios.
This theme is only in the piano part Dearden This page was last edited on 8 Novemberat He also made the first movement shorter and slowed the tempos in the first and third movement slightly McNamara It is based on the secondary theme and uses accents to make the meter difficult to figure out by simply hearing it Dearden It is also significantly shorter Dearden