Jeremy Biles. Ecce monstrum: Georges Bataille and the Sacrifice of Form. New York: Fordham University Press, pp. $ (cloth), ISBN. Ecce Monstrum: Georges Bataille and the Sacrifice of Form. By. Jeremy Biles. Fordham University Press, pages. $ How should. PDF | On Jan 1, , Rocco Gangle and others published Review of Jeremy Biles, Ecce Monstrum: Georges Bataille and the Sacrifice of Form, JAAR
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The Provocations of Friendship pp. Ecce Monstrum investigates the content and implications of this religious sensibility by examining Bataille’s insistent linking of monstrosity and the sacred.
Hans Bellmer, Bataille, and the Art of Monstrosity pp. Ecce Monstrum examines this monstrous mode of reading and writing through investigations of Bataille’s sacrificialinterpretations of Kojve’s Hegel and Friedrich Nietzsche; his contentious relationship with Ecxe Weil and its implications for his mystical and writing practices; his fraught affiliation with surrealist Andr Breton and his attempt to displace surrealism with hyperchristianity; and his peculiar relations to artist Hans Bellmer, whose work evokes Bataille’s religious sensibility.
Georges Bataille and the Sacrifice of Form. The Wounded Hands of Bataille: Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and omnstrum community it serves.
List of Figures p. In the s, Georges Bataille proclaimed a ferociously religioussensibility characterized by simultaneous ecstasy and horror.
Extending and sometimes challenging major interpretations of Bataille by thinkers like Denis Hollier and Rosalind Krauss the book reveals how his writings betray the monstrous marks of the affective and intellectual contradictions he seeks to produce in his readers.
Table of Contents p.
Project MUSE – Ecce Monstrum
Without cookies your experience may not be seamless. Title Page Download Save. With its wide-ranging analyses, this book offers insights of interest to scholars of religion, philosophers, art historians, and students of French intellectual history and early modernism.
Bataille enacts a monstrousmode of reading and writing in his approaches to other thinkers and artists–a mode that is at once agonistic and intimate. Charting a new approach to recent debates concerning Bataille’s formulation of the informe formless mmonstrum, the author demonstrates that the motif of monstrosity is keyed to Bataille’s notion of sacrifice–an operation that ruptures the integrality of the individual form.
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